work on paper paintings
Read Morepaintings
Flat File Friday, small paintings on paper inventory
Two small paintings on paper for Flat File Friday
Read MoreFocus on details, losing sight of big picture.
small pattern paintings design layout
Read MorePaintings of Pattern, woven technique.
small acrylic paintings on paper.
Read MoreFlat File Friday.
This random dot on a jade ground color was inspired by pattern and the size and composition of a dish towel.
Read MoreA new group of 12"x9" works on paper.
Group of small works on paper.
Read MoreCreative energy, keeping it positive.
Recent work on paper, Rattan, 2021
Read MorePhotos showing my process, an oil painting from 2015
Large oil on canvas landscape painting from 2015
Read MoreGood studio habits, Avoiding work mishaps, Protecting Artwork
Avoiding mishaps with artwork in the studio with good working habits.
Read MoreAcrylic Paintings, Small Works, Postcards, Works on Paper
This acrylic on paper painting is a diptych and measures 24”x36” It is part of this new group that I am working on that involves pattern and the repeat of a four point flower motif placed in a random grid format.
Read MoreWatercolor, working abstractly.
Edited 11/13/20
Currently I am making small abstract landscape works on paper using watercolor. The rules of the medium, working light to dark do not always apply. My main medium is oil and one might say I handle both mediums similarly. As a young person I looked at watermarks as a sign of failure in my watercolor work. Today I embrace where ever the paint wishes to travel and dry. Which brings me to one last thought about the medium. You don't know what you've got till it is dry. Usually for me that is the next morning. Like receiving a surprise I love revisiting the work.
Work on paper, Explorations with watercolor
Edited 11/13/20
Working abstractly can feel like throwing things in the air and seeing where it lands. The beginning of the process especially, then things happen and more deliberate decisions are made. I find this process very exciting and scary at the same time.
In the past, I avoided letting my paintings look like a pattern. I have fond memories of my six years in the garment district. Today I embrace the possibility that the work may take on aspects of pattern.
This last one immediately felt like a landscape. I like that approach to painting, the palette suggesting the subject.