Paintings with pattern, acrylic on paper, red orange, violet
Read Moreabstract paintings
Abstract, paintings on paper, End of March!
New 24”x18” abstract, acrylic painting on paper with a coral, fuchsia palette.
Read MoreFlat File Friday, Abstract paintings, color creating composition.
abstract acrylic painting, small works on paper, intuitive artworks
Read MoreRose Paintings, New and from the Archive.
small abstract paintings on paper inspired by flowers, roses, pinks
Read MoreGoal: Paint something beautiful.
paintings, technique and process, small works on paper
Read MoreCloudy today, Sunny tomorrow.
Helen Frankenthaler (1928-2011) - American painter- The Bay, 1963 Detroit Institute of Arts
Read MoreKeeping focused and staying positive in the moment. →
abstract oil on wood panel yellow taupe wide brush direction
Read MoreSmall works on paper, as studies for larger paintings
Small works as studies for larger paintings
Read MoreOil on prepared paper, Abstract landscape painting
oil on paper abstract landscape painting 39”x49”
Read MorePhotos showing my process, an oil painting from 2015
Large oil on canvas landscape painting from 2015
Read MorePaintings, Small works, watercolor.
Edited 11/13/20
Lately I've been using watercolor and gouache on paper. It is easier to deal with when away from the studio which has been the case. A less toxic medium, using water as opposed to solvents and not having to wear gloves is a nice break. One similarity with the two mediums would be my approach, traditional watercolor technique working light to dark. I usually start with a light ground and then throw the rules out with both mediums. Sound practice is important from an archival standpoint.
These two images show my simple technique rather well. The immediacy of watercolor is a definite attraction.
Work on paper, Explorations with watercolor
Edited 11/13/20
Working abstractly can feel like throwing things in the air and seeing where it lands. The beginning of the process especially, then things happen and more deliberate decisions are made. I find this process very exciting and scary at the same time.
In the past, I avoided letting my paintings look like a pattern. I have fond memories of my six years in the garment district. Today I embrace the possibility that the work may take on aspects of pattern.
This last one immediately felt like a landscape. I like that approach to painting, the palette suggesting the subject.