Abstract Landscape, Installed Show, Art Show, Oil Paintings

Edited 11/10/20

With the end of summer activity more concentrated studio time for work is realized. Organizing the studio, archiving work on paper and paintings from my show 'The Nature Of' at The Quogue Library Gallery, which came down in early August. Cleaning and organizing is crucial to keep work fresh.

I've had some brief but clear visions in my head of where I wish to take my work. In those moments of clarity I jot notes that describe what I'm envisioning. I have habits and a way of making paintings that takes over so I really have to think when working not to approach the canvas the same way. I started a 24"x40" diptych today as a way of breaking ground into this new approach. It still looks like my old work…but its a good 'old' one.

Soon I will drive to Connecticut to collect the remaining six paintings from my show 'Real Abstract' which came down in early April. It will be good to have the work, one is sold and going to Boston in early September. From April to present there has been no action at Lillian August so it's time. As I have said the gallery in the Design Showroom where my work hangs is a great three room gallery separate form the showroom floor but none the less it is not a traditional gallery which makes sales difficult so this will be my last gig in such a space…for now. But gorgeous it was and it gave me the opportunity to see the large works hanging which was great.

In the spirit of trying new things this tape collage was a new idea for me back in late 2015.

This small gouache painting from 2015 was also a departure as I had been working mainly in oil for years and suddenly picked up water based paint. I have since explored acrylics and use frequently as well as watercolor when working small.

Watercolor, working abstractly.

Edited 11/13/20

Currently I am making small abstract landscape works on paper using watercolor. The rules of the medium, working light to dark do not always apply. My main medium is oil and one might say I handle both mediums similarly. As a young person I looked at watermarks as a sign of failure in my watercolor work. Today I embrace where ever the paint wishes to travel and dry. Which brings me to one last thought about the medium. You don't know what you've got till it is dry. Usually for me that is the next morning. Like receiving a surprise I love revisiting the work. 

Untitled Landscape 1, 2016, watercolor on paper, 7"x10" 

detail, 2016, watercolor on paper, 7"x10",  

Work on paper, Explorations with watercolor

Edited 11/13/20

Working abstractly can feel like throwing things in the air and seeing where it lands. The beginning of the process especially, then things happen and more deliberate decisions are made. I find this process very exciting and scary at the same time.

Explorations 1, 2016, watercolor on card stock, 7"x7"  

In the past, I avoided letting my paintings look like a pattern. I have fond memories of my six years in the garment district. Today I embrace the possibility that the work may take on aspects of pattern.

Explorations 2, 2016, watercolor on card stock, 7"x7"

Explorations 3, Landscape, 2016, watercolor on card stock, 7"x7" 

This last one immediately felt like a landscape. I like that approach to painting, the palette suggesting the subject.