Small works as studies for larger paintings
Read MoreArchive
Southwestern vibe, 2020
Blue diamond pattern with circles and squares and a southwestern vibe
Read MoreOil on prepared paper, Abstract landscape painting
oil on paper abstract landscape painting 39”x49”
Read MoreTwo Landscape oil on canvas paintings in artist frames
oil on canvas square format landscape paintings
Read MoreLandscape painting, 2015, from the archive.
landscape oil on canvas painting nature based monochromatic artwork
Read MorePhotos showing my process, an oil painting from 2015
Large oil on canvas landscape painting from 2015
Read MoreArtwork, Acrylic on Paper, 14x11, Pattern
From a group of works on paper focusing on pattern and juxtaposing random, abstract thoughts.
Read MorePaintings, Small works, watercolor.
Edited 11/13/20
Lately I've been using watercolor and gouache on paper. It is easier to deal with when away from the studio which has been the case. A less toxic medium, using water as opposed to solvents and not having to wear gloves is a nice break. One similarity with the two mediums would be my approach, traditional watercolor technique working light to dark. I usually start with a light ground and then throw the rules out with both mediums. Sound practice is important from an archival standpoint.
These two images show my simple technique rather well. The immediacy of watercolor is a definite attraction.
Watercolor, working abstractly.
Edited 11/13/20
Currently I am making small abstract landscape works on paper using watercolor. The rules of the medium, working light to dark do not always apply. My main medium is oil and one might say I handle both mediums similarly. As a young person I looked at watermarks as a sign of failure in my watercolor work. Today I embrace where ever the paint wishes to travel and dry. Which brings me to one last thought about the medium. You don't know what you've got till it is dry. Usually for me that is the next morning. Like receiving a surprise I love revisiting the work.
Work on paper, Explorations with watercolor
Edited 11/13/20
Working abstractly can feel like throwing things in the air and seeing where it lands. The beginning of the process especially, then things happen and more deliberate decisions are made. I find this process very exciting and scary at the same time.
In the past, I avoided letting my paintings look like a pattern. I have fond memories of my six years in the garment district. Today I embrace the possibility that the work may take on aspects of pattern.
This last one immediately felt like a landscape. I like that approach to painting, the palette suggesting the subject.