Woven pattern, Olive on Pink for flat file friday
Read MoreWoven Pattern & Abstract Paintings, Flat File Friday

Abstract
Woven pattern, Olive on Pink for flat file friday
Read Morework on paper paintings
Read MoreTwo small paintings on paper for Flat File Friday
Read Moresmall pattern paintings design layout
Read Moresmall acrylic paintings on paper.
Read MoreThis random dot on a jade ground color was inspired by pattern and the size and composition of a dish towel.
Read MoreGroup of small works on paper.
Read MoreHelen Frankenthaler (1928-2011) - American painter- The Bay, 1963 Detroit Institute of Arts
Read Moreabstract oil on wood panel yellow taupe wide brush direction
Read MoreSmall works as studies for larger paintings
Read MoreBlue diamond pattern with circles and squares and a southwestern vibe
Read MoreAvoiding mishaps with artwork in the studio with good working habits.
Read MoreThree images showing the process of a large scale oil painting from beginning to near completion.
Read MoreEdited 11/13/20
Lately I've been using watercolor and gouache on paper. It is easier to deal with when away from the studio which has been the case. A less toxic medium, using water as opposed to solvents and not having to wear gloves is a nice break. One similarity with the two mediums would be my approach, traditional watercolor technique working light to dark. I usually start with a light ground and then throw the rules out with both mediums. Sound practice is important from an archival standpoint.
Imaginary country landscape, 2016, watercolor on paper, 7"x10"
These two images show my simple technique rather well. The immediacy of watercolor is a definite attraction.
Abstract ideas, 2016, watercolor on paper, 7"x10",
Edited 11/13/20
Currently I am making small abstract landscape works on paper using watercolor. The rules of the medium, working light to dark do not always apply. My main medium is oil and one might say I handle both mediums similarly. As a young person I looked at watermarks as a sign of failure in my watercolor work. Today I embrace where ever the paint wishes to travel and dry. Which brings me to one last thought about the medium. You don't know what you've got till it is dry. Usually for me that is the next morning. Like receiving a surprise I love revisiting the work.
Untitled Landscape 1, 2016, watercolor on paper, 7"x10"
detail, 2016, watercolor on paper, 7"x10",
A detail of a mixed media oil painting on wood panel.
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